Prompt Library

Fanfic Prompts for Any Fandom, Any Pairing

26 copy-paste prompts

26 fanfic prompts built around tropes, not specific characters — drop in your own Character A and Character B and start writing. Classic tropes, AUs, angst, fluff, and canon-divergence, all SFW.

In short: This page contains 26 copy-paste ready prompts, organized into 5 categories with a description and pro tip for each. The first 15 prompts are free instantly — no signup needed. Hand-curated and tested by the AI Academy team.

By Louis Corneloup · Founder, Techpresso
Last updated ·Hand-curated & tested by the AI Academy team

Classic Tropes

6 prompts

Fake Dating

1/26

Character A needs a date to an event they can't skip — a wedding, a reunion, a work gala — and Character B agrees to play the part. They build a fake backstory, rehearse how they met, and invent small couple habits. Write the moment one of those rehearsed habits stops feeling rehearsed, and neither of them says anything about it.

Fake dating works because every performed gesture doubles as a real one — the reader watches two people lie their way into the truth.

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Pro tip: Give the fake relationship one concrete rule ("no hand-holding unless someone is watching") and then make the story about that rule eroding.

Only One Bed

2/26

A booking error, a snowed-in motel, a safehouse with exactly one bed. Character A insists on taking the floor; Character B refuses to let them. Write the negotiation, the careful pillow wall, and the conversation that happens at 2 a.m. when neither of them can sleep — the one they could never have in daylight.

The trope isn't really about the bed. It's about forced honesty: darkness and proximity strip away whatever performance these two keep up in public.

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Pro tip: Keep the physical comedy short and spend your word count on the late-night conversation — that's the scene readers came for.

Rivals on the Same Side

3/26

Character A and Character B have spent the whole canon undermining each other. Now a problem appears that neither can solve alone, and they're ordered — or forced by circumstance — to cooperate. Write the mission going wrong in a way that requires each of them to use the exact skill they've always mocked in the other.

Enemies-to-allies lets you keep all the friction of a rivalry while smuggling in respect, which is the first step toward everything else.

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Pro tip: Let them stay competitive even while cooperating — bickering over who saved whom is more in-character than a sudden truce.

The Secret Identity Slip

4/26

Character A has a secret — a double life, a hidden ability, a past under another name — and Character B is the one person they've managed to keep it from. Write the scene where the secret slips out at the worst possible moment, and Character B's reaction is nothing like what Character A spent years bracing for.

Identity reveals work because the tension was never "will they find out" but "what will it cost when they do" — subverting the expected cost is the payoff.

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Pro tip: Decide what Character A feared most about the reveal, then have Character B do the opposite of that fear.

Snowed In

5/26

A storm closes the roads and traps Character A and Character B somewhere small — a cabin, a bookshop after hours, a broken-down train car. There's no danger, just time. Write what two people who normally avoid each other do with forty-eight hours, one deck of cards, and no excuse to leave.

Forced proximity without peril turns the story inward: with nothing external to react to, the characters finally have to react to each other.

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Pro tip: Give them one small shared task — keeping a fire lit, rationing the snacks — so the intimacy grows out of doing something together rather than just talking.

The Misdirected Confession

6/26

Character A writes out everything they feel about Character B — a letter they'll never send, a draft message, a voice memo meant to be deleted. Through bad luck or a meddling friend, Character B receives it. Write the next conversation between them, where both pretend it didn't happen and both fail.

The accidental confession skips the hardest part of romance plotting — getting the feelings into the open — and lands the story straight into the fallout.

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Pro tip: The confession itself should be specific to your fandom: reference a canon moment only these two would understand.

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Alternate Universe (AU) Prompts

6 prompts

Coffee Shop AU

7/26

Strip your characters of the canon plot and put them in a neighborhood café. Character A works the morning shift; Character B orders the same thing every day at 8:14 until the day they don't show up. Write what Character A does next — and what their reaction reveals about feelings they hadn't admitted to themselves.

The coffee shop AU endures because it tests a pairing's chemistry with zero plot armor: if they're compelling over a counter, the dynamic is real.

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Pro tip: Translate canon traits into café terms — a battle strategist becomes the person who reworks the pastry display for efficiency.

University AU

8/26

Character A and Character B are assigned as partners on a semester-long project in a class one of them is acing and the other is failing. Write their first study session, where the failing one turns out to understand something the acing one never noticed — about the subject, or about people.

College AUs let you reset power dynamics: canon hierarchies dissolve when everyone is broke, tired, and twenty.

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Pro tip: Pick majors that say something — putting a canon warrior in a poetry seminar is a character study in itself.

Modern Mundane AU

9/26

Take characters from a fantasy, historical, or sci-fi canon and drop them into an ordinary modern life: rent, group chats, IKEA furniture. Write a scene where a mundane problem — a missed bus, a broken phone screen — triggers the same dynamic the characters had in canon, just scaled down to everyday stakes.

Mundane AUs argue that a great character dynamic survives any setting — the fun is recognizing epic canon patterns in tiny domestic moments.

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Pro tip: Keep one canon element as an echo: the swordsman is weirdly good with kitchen knives, the seer always texts "don't take the highway" at the right moment.

Rival Shops AU

10/26

Character A runs a small shop. Character B opens a competing one directly across the street. They sabotage each other's window displays, poach each other's regulars, and know each other's schedules suspiciously well. Write the day an actual crisis — a flood, a break-in, a chain store moving in — forces them onto the same side.

Small-business rivalry is enemies-to-lovers with training wheels: real stakes, low danger, and endless excuses for the characters to monitor each other.

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Pro tip: Choose shops that mirror the characters — a meticulous planner runs a stationery store, a chaotic charmer runs a record shop.

Band AU

11/26

Your characters are a band on the edge of either breaking up or breaking through. Character A writes the songs; Character B is the reason half of them exist, and doesn't know it. Write the rehearsal where Character B finally pays attention to the lyrics.

Band AUs give you a built-in confession device — songwriting — plus the found-family pressure cooker of a group that works, travels, and fights together.

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Pro tip: Don't quote full lyrics; describe what one line does to Character B's face mid-rehearsal instead.

Time-Loop AU

12/26

Character A is stuck repeating the same day. The loop only ever changes in one way: Character B's reactions are never quite identical, as if some part of them remembers. Write the loop where Character A stops trying to escape and starts using the repeats to learn everything about Character B they never bothered to ask.

Time loops convert repetition into intimacy — every iteration is another chance to notice something, and the structure rewards small details.

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Pro tip: Track the loops with a repeated anchor sentence at each reset, then break the pattern of that sentence in the final loop.

Angst & Hurt/Comfort

5 prompts

The Hidden Injury

13/26

Character A got hurt during the last mission, fight, or disaster — and hid it, because the team needed them functional. Character B is the one who notices: a flinch, a favored arm, a jacket worn indoors. Write the confrontation, where Character B's anger is really fear wearing a disguise.

Hurt/comfort works on the gap between what characters feel and what they'll admit — the injury is just the crowbar that opens it.

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Pro tip: Let Character A explain WHY they hid it; the justification reveals more character than the injury does.

The Last Argument

14/26

Character A and Character B part ways on an argument — petty, unresolved, full of things said badly. Then Character B goes somewhere dangerous, and for a stretch of hours or days, Character A doesn't know if they're coming back. Write the waiting, and then write the reunion, where the argument suddenly costs nothing and admitting that costs everything.

The almost-loss reframes a trivial conflict as wasted time, forcing characters to confront what they actually value.

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Pro tip: Resist resolving the original argument — have them realize together that it never mattered, which is harder to write and lands better.

One Remembers, One Doesn't

15/26

An accident, a curse, or an enemy's weapon takes Character B's memories of Character A — only those. Everyone else remains familiar. Write Character A deciding whether to rebuild the relationship from scratch or quietly step back, and write the moment Character B, with no memories at all, starts gravitating toward them anyway.

Selective amnesia poses the trope's central question cleanly: was the bond circumstance, or is it something the characters would find again every time?

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Pro tip: Give Character B one inexplicable retained habit — saving the window seat, ordering two coffees — that neither of them comments on until the end.

The Apology That Almost Came Too Late

16/26

Character A owes Character B an apology years overdue — for a betrayal, a silence, a choice that looked like abandonment. They've drafted it a hundred times. Write the day news arrives that Character B is in danger or leaving forever, and Character A has one chance to say it badly in person instead of perfectly never.

This prompt weaponizes procrastination, something every reader recognizes, and attaches a deadline to it — instant, uncomfortable urgency.

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Pro tip: Make the delivered apology messy and incomplete; the polished version belongs in Character A's head, where it has always lived.

Leaving to Protect Them

17/26

Character A learns that staying close to Character B puts B in danger — a target on their back, a curse that spreads, an enemy who hurts what A loves. So A leaves without explanation, letting B believe the worst. Write the scene, months later, where Character B finds out the real reason — and is furious about it.

The noble sacrifice goes wrong on purpose here: the trope's power is in Character B rejecting the premise that they didn't get a vote.

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Pro tip: Write Character B's anger as the proof of love — "you decided for both of us" cuts deeper than tears.

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Fluff & Found Family

5 prompts

Teaching Them Something Ordinary

18/26

Character A is extraordinary at canon things and hopeless at one mundane skill — cooking, swimming, riding a bike, taxes. Character B teaches them, badly, with great patience. Write the lesson, the failure, the second attempt, and the moment Character A realizes B has been making the failures fun on purpose.

Competence inversion is pure fluff fuel: watching a powerful character be gently bad at something humanizes them instantly.

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Pro tip: The skill should contrast with canon — the strategist who can't follow a recipe, the pilot who can't parallel park.

The Found Family Dinner

19/26

The whole ensemble gathers for a holiday none of them celebrated growing up, for different reasons. Someone burns the main dish. Someone brought a guest no one expected. Write the dinner from Character A's point of view — the one who never believed they'd be on anyone's guest list, counting the chairs around the table.

Found family scenes work through accumulation of small ordinary details that, to the right character, register as miracles.

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Pro tip: Give every ensemble member exactly one line or gesture that proves you know them — found family fic lives or dies on the side characters.

Sick Day

20/26

Character A — the invulnerable one, the responsible one — catches a perfectly ordinary cold and is terrible at being sick: denial, escape attempts, working from under three blankets. Character B appoints themselves warden. Write the day, including the fever-soft moment where Character A says something honest they'll claim not to remember.

Illness lowers a character's guard legitimately, letting you show tenderness that their healthy self would deflect.

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Pro tip: Keep the sickness trivial — the comedy and comfort both depend on the stakes being soup-level.

The Stray

21/26

A stray animal starts following Character A, who insists they are not keeping it while visibly keeping it. Character B watches the denial unfold over weeks: the food bowl that's "temporary," the vet visit that's "just responsible." Write the moment Character A finally names it, and what B understands that naming to mean.

The pet is a proxy: a character learning to admit they want something soft in their life is rehearsing a bigger admission.

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Pro tip: Match the animal to the character ironically — the intimidating one gets the tiny kitten, every time.

Keys to the Apartment

22/26

Character B has slowly colonized Character A's home — a toothbrush, a preferred mug, a drawer that became their drawer. Neither has said anything official. Write the evening Character A hands over a copy of the key, disguised as a practical errand, and both of them pretend their hands aren't shaking.

Domestic escalation lets you write a proposal-sized emotional beat using objects worth five dollars.

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Pro tip: Inventory the borrowed objects early in the fic so the key lands as the final item in a sequence the reader has been tracking.

Canon-Divergence

4 prompts

The Fix-It

23/26

Pick the canon moment your fandom never recovered from — a death, a betrayal, a sacrifice — and undo it with one changed detail: a letter delivered on time, a door locked, a train missed. Write the week after the divergence, tracking how one survival or one prevented mistake rewires every relationship around it.

Fix-it fic is the genre's beating heart: it treats grief over fictional events as real and offers the repair canon refused to.

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Pro tip: Don't make the fix free — the saved character should carry consequences, or the divergence feels like a cheat.

They Met Earlier

24/26

Character A and Character B met in canon as adults, rivals, or enemies. Rewind: they meet as kids, as students, as strangers in line — years before the plot finds them. Write their first canon-timeline meeting again, except this time they recognize each other, and everything the canon scene assumed is suddenly wrong.

An earlier meeting recontextualizes the entire canon dynamic: hostility becomes history, and every familiar scene gains a second layer.

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Pro tip: Replay one piece of canon dialogue word-for-word in the new context — identical lines with opposite meaning is the trope's best trick.

Taking the Villain's Deal

25/26

At some point in canon, your hero was offered a deal and refused it. Write the version where Character A says yes — for a sympathetic reason: to save someone, to end a war faster, out of sheer exhaustion. Follow them three steps down that road, to the first moment they can't tell anymore whether they're still pretending.

The accepted deal explores how good people rationalize, one defensible choice at a time — richer territory than born-evil villainy.

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Pro tip: Keep Character A's voice and values intact; corruption is only interesting while the character still sounds like themselves.

The Other Side of the Fork

26/26

Find the moment your canon split its characters onto separate paths — different factions, different cities, a quest one joined and one refused. Write the version where Character B chooses the other branch and ends up beside Character A for the events canon made them miss. One canon scene, now witnessed by exactly the wrong (or right) person.

Canon scenes change completely depending on who is in the room — this prompt mines that with a single repositioned character.

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Pro tip: Pick a canon scene where Character B's presence creates a problem, not just company — they should break the scene, not decorate it.

Frequently Asked Questions

A fanfic prompt is a scenario, trope, or situation you apply to existing characters from a fandom — a starting point like "fake dating" or "coffee shop AU" that you fill with characters you already know. Because the characters come pre-built, prompts for fanfiction focus on situations and dynamics rather than character creation.
Replace "Character A" and "Character B" with your characters, then adjust the scenario to fit the canon's tone and setting. The best adaptations keep canon voice intact — ask "how would THIS character handle a fake dating arrangement" rather than bending the character to fit the trope.
AU stands for alternate universe: the characters stay themselves, but the setting changes — a coffee shop, a university, a modern city instead of a fantasy kingdom. AU prompts test whether a character dynamic survives outside its original plot, which is why coffee shop AUs exist for nearly every fandom.
A trope is a recurring pattern readers recognize — only one bed, enemies to lovers, found family. A prompt is a specific, writable scenario built from one or more tropes. "Hurt/comfort" is a trope; "Character A hid an injury and Character B just noticed the flinch" is a prompt you can start writing tonight.
As long as the idea sustains. Most of these prompts work as one-shots of 1,000 to 5,000 words centered on a single scene, but several — the time loop, the fix-it, the accepted deal — can carry multi-chapter fics. Write the core scene first, then decide if it wants a before and after.
AI works well as a brainstorming partner — generating trope combinations, suggesting complications, or stress-testing your plot for holes — while the prose and character voice stay yours. Many archives have disclosure rules about AI-generated text, so check your platform's policy before posting anything AI-assisted.

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