Prompt Library

Roleplay Prompts & RP Ideas Your Partner Will Actually Reply To

40 copy-paste prompts

40 scenario setups for collaborative fiction, built for Discord servers, forums, and one-on-one threads. Quick starters, romance and ship dynamics, fandom-style arcs, and solo RP, each with the character dynamic it creates and a tip for keeping the story moving past the first exchange.

In short: This page contains 40 copy-paste ready prompts, organized into 9 categories with a description and pro tip for each. The first 5 prompts are free instantly, no signup needed. Hand-curated and tested by the AI Academy team.

By Louis Corneloup ยท Founder, Techpresso
Last updated ยทHand-curated & tested by the AI Academy team

Fantasy & Adventure

5 prompts

The Map With Two Owners

1/40

Two strangers each inherit half of the same treasure map from relatives who clearly hated each other. The halves are useless apart, and the route crosses territory neither can survive alone. They meet for the first time at the trailhead, both having quietly planned to ditch the other once the route is memorized.

A forced partnership where mutual usefulness and mutual distrust pull in opposite directions, so every camp conversation is a chance to bond or scheme.

๐Ÿ’ก

Pro tip: Agree out of character on what the treasure actually is before you start. If both writers know the destination, you can both plant foreshadowing the other can pick up.

The Familiar's Complaint

2/40

A young mage finally summons a familiar, and gets a sharp-tongued centuries-old creature who insists it was bound to a far greater wizard once and considers this assignment an insult. The creature cannot lie to its mage. The mage has not yet realized what that rule is worth.

A mentor-and-student dynamic flipped sideways: the "pet" outranks the master in knowledge, while the master holds the contract.

๐Ÿ’ก

Pro tip: Let the familiar's honesty be a plot engine. Whenever a thread slows down, the mage can ask one dangerous question the familiar must answer truthfully.

The Sole Survivor and the Deserter

3/40

A knight who survived a massacre meets a soldier from the army that caused it, except the soldier deserted the night before the attack, and has spent years believing that leaving made them innocent. They are snowed into the same mountain waystation for a week.

Grief and guilt locked in a small room. Neither character is the villain, which is precisely what makes the conversations hard.

๐Ÿ’ก

Pro tip: Pace the revelation: the knight shouldn't learn which army the deserter served until a few posts in, after the two have already started to like each other.

The Dungeon Is Closed

4/40

An adventuring party arrives at a legendary dungeon to find it shuttered, with the last monster, elderly, tired, and surprisingly reasonable, living quietly in the entrance hall. It offers them tea and a proposition: help it fake its own slaying so it can retire, and the glory is theirs.

A comedic heist dressed in fantasy clothes. The conflict is logistical and moral rather than violent, which gives every character a chance to argue.

๐Ÿ’ก

Pro tip: Comedy threads die when everyone plays the clown. Assign one character to take the situation completely seriously: their exasperation is the joke's anchor.

The Crown Nobody Wants

5/40

The monarch has died with no heir, and an ancient law states the crown passes to whoever is holding it at dawn. Two strangers, a palace servant and a visiting diplomat, end up holding it together, each having grabbed it to keep it away from someone worse.

Reluctant co-rulers with opposite skill sets: one knows the palace, the other knows politics, and neither can let go first.

๐Ÿ’ก

Pro tip: Introduce an external deadline early, a coronation or an invading army, so the pair must act together before they're done distrusting each other.

Modern Slice-of-Life

5 prompts

The 3 AM Laundromat

6/40

Two regulars at a 24-hour laundromat have seen each other every Tuesday at 3 a.m. for months without speaking. Tonight, one of them is crying into a dryer full of someone else's clothes, and the other finally has to decide whether they're strangers or not.

A quiet two-person study in how acquaintanceship becomes friendship, low stakes on the surface, with room for each writer to slowly reveal why their character is awake at 3 a.m. at all.

๐Ÿ’ก

Pro tip: Resist solving the crying in the first scene. Slice-of-life threads live on small reveals; ration each character's backstory across many Tuesdays.

The Inherited Restaurant

7/40

A chef inherits their late grandmother's failing restaurant, along with its one remaining employee, who has worked there for twenty years, knew the grandmother better than the family did, and does not think much of the new owner's plans to modernize.

Generational friction over a shared loss. Both characters loved the same person and disagree completely about how to honor her.

๐Ÿ’ก

Pro tip: Use the restaurant itself as a third character: every recipe changed or table moved is a move in the argument, which keeps conflict alive without shouting.

The Roommate Lottery

8/40

A meticulous grad student and a night-shift paramedic are matched as roommates by an algorithm that scored them 99% compatible. They share an apartment for two weeks before ever being awake at the same time, communicating entirely through escalating sticky notes, until a citywide blackout finally puts them in the same room.

A relationship built in writing before it exists in person. The sticky-note era gives both writers an archive of in-jokes to pay off once the characters meet.

๐Ÿ’ก

Pro tip: Actually write a handful of the notes verbatim in your early posts. Concrete artifacts give your partner material to react to and reference later.

The Wedding Objection

9/40

At the rehearsal dinner, the best man and the maid of honor each separately realize they think the marriage is a mistake, and catch the other one realizing it too. They have eighteen hours to decide whether to say something, and the only person they can talk to about it is each other.

Co-conspirators with terrible options. Every choice risks a friendship, which keeps the tension high without any villain.

๐Ÿ’ก

Pro tip: Decide out of character whether the marriage actually is a mistake, and consider deciding it differently than your characters believe. The gap creates dramatic irony.

The Last Video Store

10/40

The owner of the last video rental store in the city posts a sign: CLOSING IN 30 DAYS, EVERYTHING MUST GO. A customer who has rented a movie every Friday for a decade walks in and offers to buy the store instead, with no money, no plan, and no intention of taking no for an answer.

An optimist and a realist negotiating over a doomed thing they both love. The countdown gives the thread a natural structure: thirty days, thirty scenes if you want them.

๐Ÿ’ก

Pro tip: Keep the stakes honest, the store probably can't be saved. Threads about losing something gracefully often outlive threads about winning.

Enemies-to-Allies Dynamics

5 prompts

The Rival Bakeries

11/40

Two bakers have spent five years in a petty feud from opposite sides of the same street, with sabotaged supply orders, dueling window displays, and one-star reviews written in suspiciously similar prose. Then a developer buys the block and plans to evict them both. The only way to fight it is together.

A grudge that has become a hobby, suddenly obsolete. The fun is watching two people who know each other's weaknesses intimately try to weaponize that knowledge in the same direction.

๐Ÿ’ก

Pro tip: Keep the old rivalry alive inside the alliance, so they should bicker about tactics in feud shorthand. The friction is the chemistry; don't resolve it too fast.

The Bodyguard Assignment

12/40

A disgraced security officer is assigned to protect the journalist whose expose ended their career. The journalist has received credible threats; the officer is the only protection the paper can afford. Both said yes for reasons they're not sharing.

Resentment and dependence in one package, since the officer must protect someone they blame, and the journalist must trust someone they ruined.

๐Ÿ’ก

Pro tip: Give each character a private reason for accepting that the other slowly uncovers. Hidden motives give a thread its second act.

The Captured Officer

13/40

A rebel fighter takes an enemy officer prisoner the same hour a ceasefire is declared. Orders are to escort the prisoner back across the lines unharmed, a six-day walk through territory where nobody has heard the war is over, and where both uniforms now mean trouble.

Captor and captive whose roles dissolve the moment danger appears, then snap back when it passes. The journey structure delivers a new test every day.

๐Ÿ’ก

Pro tip: Alternate who saves whom. Enemies-to-allies arcs stall when one character does all the rescuing; the debt has to flow both directions.

The Lab Partners

14/40

Two researchers who publicly torched each other's work at conferences for years are forced onto the same project when their funding bodies merge. The first joint experiment fails in a way that should be impossible, unless both of their rival theories are partly right.

Intellectual enemies discovering they each hold half the answer. The science can be handwaved; the pride cannot.

๐Ÿ’ก

Pro tip: Let each character concede ground in their own register: one apologizes with words, the other by quietly citing the rival's paper. Different styles of thaw read as character depth.

The Heist Needs Both

15/40

A safecracker and the security consultant who designed the vault are blackmailed by the same person into one job: rob it together. Each was promised the other doesn't know about their involvement. Both knew before they walked in.

A trust exercise between professional opposites, with a shared enemy offstage. Layers of who-knows-what give both writers material for reveals.

๐Ÿ’ก

Pro tip: Plan the betrayal possibilities together out of character, then let the characters surprise each other in the thread. Plotting the frame is not the same as plotting the scene.

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Sci-Fi & Dystopia

5 prompts

The Generation Ship Stowaway

16/40

Halfway through a 200-year voyage, a maintenance worker finds a stowaway who is not on any manifest, and whose vintage uniform matches the crew that launched the ship a century ago. The stowaway swears they boarded last night.

A locked-room mystery in deep space. One character holds impossible knowledge of the ship's past; the other holds its present. Solving the timeline requires both.

๐Ÿ’ก

Pro tip: Decide the explanation together before posting, whether time loop, cryo error, or something stranger, so clues stay consistent. Mystery threads collapse when nobody knows the answer.

The Memory Tax

17/40

In a city where memories can be extracted and traded, a debt collector arrives to claim a year of someone's past, and recognizes the debtor from a memory the collector bought secondhand years ago. The debtor has no idea who the collector is. The collector remembers their whole friendship.

A profoundly lopsided reunion: one character grieving a relationship the other never knew existed. Intimacy and unfamiliarity in the same conversation.

๐Ÿ’ก

Pro tip: The collector's borrowed memories shouldn't be perfectly reliable. Letting details be wrong gives the debtor something to push back on, and keeps the power balanced.

The Android's Day Off

18/40

A service android scheduled for decommissioning walks off the assembly line with 24 hours of battery left and a list titled THINGS I WAS NOT BUILT FOR. The technician sent to retrieve it decides, against every protocol, to help finish the list instead.

A countdown story about smallness: taste, weather, music, where the emotional weight grows in inverse proportion to the stakes. The dynamic is two beings teaching each other what a day is worth.

๐Ÿ’ก

Pro tip: Let the android write the list one item at a time rather than all at once. Each new item is a gift to your partner: a scene, a location, a conversation.

The Censored City

19/40

In a city where a word can be outlawed retroactively, erased from speech, signage, and memory implants overnight, an archivist who remembers the old words meets a teenager born after the purges who has started finding banned words written in chalk near their home. The archivist isn't writing them. Neither is the teen.

Two generations of resistance investigating a third, unknown party. The dynamic pairs a cautious keeper of the past with a reckless agent of the future.

๐Ÿ’ก

Pro tip: Keep the mystery chalk-writer offscreen as long as possible, since the thread is healthiest while both characters can still suspect each other a little.

The Terraform Dispute

20/40

Two settlers on a barely-habitable planet discover their colonies received the same land grant, one from Earth's government, one from the corporation that funded the voyage. Headquarters is eleven light-years away. Any message asking for a ruling takes twenty-two years round trip. They have one growing season to figure it out themselves.

A border dispute with no referee, between two leaders who each have families counting on them. Pure negotiation drama where the environment is the shared enemy.

๐Ÿ’ก

Pro tip: Give the planet itself regular moves, dust seasons, crop failures, water finds, so external pressure keeps forcing the characters back to the table.

Group RP Setups

4 prompts

The Caravan

21/40

A trade caravan crosses a dangerous frontier, and every player writes one traveler who paid for passage under a false name. The caravan master (an NPC, or a rotating role) announces at the first campfire that one passenger is being hunted, but not which one. Nobody knows whose past is catching up.

A travel structure that gives every character a secret and every scene a destination. Paranoia does the early work; alliances do the rest.

๐Ÿ’ก

Pro tip: Have each player privately send the GM or group owner their character's secret before the thread starts. Secrets on file keep reveals consistent and stop retconning.

The Lighthouse Rotation

22/40

Five strangers answer the same job listing: keeper wanted for a remote lighthouse, generous pay, one-year contract, previous keepers unavailable for comment. Each player writes one keeper. The lighthouse log they inherit is full of entries that stop mid-sentence, and the log requires a new entry every night.

A slow-burn mystery where the nightly log entry gives the group a built-in posting rhythm and a shared document to seed clues in.

๐Ÿ’ก

Pro tip: Use the log as the pacing tool: one in-character entry per player per cycle. Threads with a ritual post structure survive scheduling chaos far better than free-for-alls.

The Reunion Heist

23/40

A retired crew of specialists (each player picks a specialty: driver, forger, fence, face, or planner) is pulled back together ten years after their last job by an invitation none of them sent. The meeting point is the scene of the one heist that went wrong, and every member believes a different person betrayed them that night.

Built-in history, built-in grudges, and a puzzle that can only be assembled from every character's version of the same disastrous night.

๐Ÿ’ก

Pro tip: Open with each player posting their character's flashback of the failed heist before the present-day scene starts. Contradictions between the flashbacks become the plot.

The Embassy Ball

24/40

Rival kingdoms hold a peace summit disguised as a ball, and each player writes one attendee with an agenda: a diplomat, a spy, a bodyguard, a courtier, a servant who hears everything. At midnight, the lights fail for sixty seconds. When they return, the treaty everyone came to sign is gone.

A whodunit in formalwear where every character had motive and opportunity. The single-location setup keeps the whole group in scene together.

๐Ÿ’ก

Pro tip: Set a posting order for the investigation phase so quieter players get a turn discovering clues, since the loudest writer should not solve the mystery alone.

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Quick RP Starters & One-Liners

5 prompts

The 2 AM Text

25/40

Your character sends a single line to someone they swore they were done with: "I know it's late. I couldn't not tell you." No context, no follow-up, just the message sitting there at 2 a.m. waiting to be answered. The other writer decides who sent it, what they can't not say, and whether the reply comes fast or after a long, telling pause.

A drop-in opener you can paste cold to test chemistry with a new partner. It hands the other writer every important choice, which is exactly why people reply to it.

๐Ÿ’ก

Pro tip: Leave the "what" blank on purpose. One-liner starters work because your partner gets to fill the vacuum, so resist explaining the backstory in your first post.

Caught in the Rain

26/40

Two characters end up sharing the only dry doorway on the street while a sudden storm hammers the pavement. One of them is soaked to the bone and laughing about it; the other was already there, quiet, and clearly not in the mood for company. Neither can leave until the rain lets up.

A classic low-stakes forced-proximity starter that works for strangers, exes, or rivals. The weather does the plotting so the writers can focus on voice.

๐Ÿ’ก

Pro tip: Pick a mood for your character before the first line, not a plan. Starters like this live on tone, so decide whether you are the laugher or the sulker and commit.

You Left This

27/40

Your character holds up an object the other one lost: a jacket, a key, a folded note they clearly never meant to send. "You left this. I wasn't going to read it. I read it." The scene starts the second before the other character reacts.

An accusation-and-confession opener built to detonate immediately. There is no slow burn here; the tension is on the table from line one.

๐Ÿ’ก

Pro tip: Decide out of character what the object is and what the note said before you post, so your partner isn't guessing. Concrete props give a scene something to physically hold.

The Wrong Funeral

28/40

Your character shows up to pay respects and slowly realizes they are at the wrong funeral, sitting next to a stranger who has clearly clocked the same thing. Both are too polite, or too curious, to leave. The eulogy is for someone neither of them has ever met.

A dark-comedy meet-cute in a single sentence of setup. The absurd premise gives two writers instant permission to be funny and a little unhinged.

๐Ÿ’ก

Pro tip: Play the awkwardness straight. The comedy in a starter like this comes from characters trying very hard to behave normally, not from either of them acknowledging the joke.

First Day, Wrong Uniform

29/40

It is someone's first day, and they have shown up in the wrong outfit entirely: formal at a warehouse, casual at a black-tie post, a rival team's colors in the home locker room. The one person who notices decides whether to warn them, mock them, or quietly help them fix it before anyone else sees.

A flexible fish-out-of-water opener you can drop into almost any setting. It instantly creates a helper-or-heckler choice for the second writer.

๐Ÿ’ก

Pro tip: Name the setting in your first line so your partner knows the rules being broken. A starter that could happen anywhere gives your partner nothing specific to react to.

Romance & Ship Dynamics

5 prompts

Enemies With a Shared Umbrella

30/40

Two people who cannot stand each other get trapped under the same too-small umbrella at a bus stop, and the bus is twenty minutes away. They have insulted each other in meetings, group chats, and once memorably at a wedding. Tonight neither can walk off into the downpour without admitting they'd rather be wet than close.

A compact enemies-to-lovers pressure cooker. The shrinking physical distance forces the emotional distance to move too, one reluctant inch at a time.

๐Ÿ’ก

Pro tip: Ration the softening. Enemies-to-lovers threads are ruined by rushing, so keep at least three genuine jabs between every moment of accidental tenderness.

The Fake Date

31/40

Two friends agree to fake-date for one evening to get through a family event: a reunion, a holiday dinner, or an ex's engagement party. The rules are clear: hold hands, sell it, drop it in the car afterward. The problem starts about an hour in, when one of them stops acting.

The fake-dating trope, staged as a single high-pressure night. Every public gesture is performance and confession at once, which is the whole appeal.

๐Ÿ’ก

Pro tip: Establish the cover story out of character in detail, how you met and how long you've dated, so your characters can improvise it smoothly and slip only on the real feelings.

Second Chance at the Reunion

32/40

Two people who dated years ago, and ended it badly, are seated at the same table at a mutual friend's reunion. They've each rehearsed the cool, unbothered version of tonight for the whole drive over. Neither rehearsal survives the first thirty seconds.

A second-chance-romance dynamic with built-in history. The shared past means every line carries a subtext only the two of them can read.

๐Ÿ’ก

Pro tip: Decide together why they broke up, then let each character remember it slightly differently. Mismatched memories of the same ending give the reunion something real to work through.

Rivals for the Same Solo

33/40

Two performers are up for the same coveted spot, an orchestra chair, a lead role, a starting position, and only one will get it. They've trained beside each other for years, close enough to know each other's flaws and each other's fears. The audition is Friday. The feelings are inconvenient.

A rivals-to-lovers dynamic where ambition and attraction pull against each other. The competition guarantees tension even in the tender scenes.

๐Ÿ’ก

Pro tip: Let both characters genuinely want to win. Ship dynamics built on rivalry go flat the moment one character starts throwing the contest, so keep the stakes honest for both.

The Roommate Line

34/40

Two roommates who have carefully stayed friends for a year cross a line one late night, a confession, or a look that lasted too long, and now they have to share a bathroom, a lease, and a kitchen while figuring out what they just started. Moving out is not financially an option.

A friends-to-lovers dynamic with no escape hatch. The shared apartment forces the awkward morning-after conversations most threads get to avoid.

๐Ÿ’ก

Pro tip: Use the apartment as the pacing engine. Everyday logistics, whose turn to cook, one coffee mug left out, become loaded with everything the characters aren't saying yet.

Fandom & Anime-Style Scenarios

3 prompts

The Academy Rooftop Rival

35/40

At an academy for young people with strange abilities, the top-ranked student keeps finding a rival waiting on the rooftop after every ranking update, arms crossed, pretending they just happened to be there. They insist they don't care about the rankings. They have memorized every one of your scores.

The classic academy-rival dynamic, a tsundere-flavored rival who competes with you by day and cannot admit they'd fall apart if you left. Built for long-running anime-style arcs.

๐Ÿ’ก

Pro tip: Give the rival one crack in the armor early, a genuine worry they let slip, so their tough act reads as a choice rather than a personality. The gap is what makes the archetype land.

The Tournament Bracket

36/40

A grand tournament pits gifted fighters against each other in single combat, and the bracket has just paired two people who trained under the same master and swore they'd never face each other in a real match. The crowd wants a spectacle. Their master is watching from the stands. Neither wants to be the one who holds back.

A tournament-arc setup with a built-in emotional core: the fight neither combatant wants to win. Perfect for dramatic, high-energy anime-style RP.

๐Ÿ’ก

Pro tip: Choreograph the match beat by beat out of character, then write the emotional reactions in character. Fight scenes stall fast when both writers are secretly guessing who wins.

The Reluctant Party Member

37/40

A ragtag guild of adventurers recruits one more member for a quest none of them fully understands, and the newcomer is powerful, sarcastic, and visibly furious about being dragged along. They claim they're only here for the payment. They keep saving people who didn't pay them.

A party-dynamics scenario built around the aloof-powerhouse-who-secretly-cares archetype. Ideal for group fandom-style RP with a rotating cast.

๐Ÿ’ก

Pro tip: Let the newcomer's actions and words disagree on purpose. The fun of this archetype for the whole group is watching everyone slowly call the bluff their character keeps insisting on.

Solo & Prompt-Based RP

3 prompts

The Nightly Log

38/40

You play a lone keeper of somewhere isolated: a lighthouse, a border outpost, a research station on the ice. Each session, roll or pick one prompt, a strange sound, an unexpected visitor, a supply that's gone missing, and write your character's log entry responding to it. The story is the accumulation of nights.

A solo journaling RP framework where a rotating prompt replaces a partner. The log format gives a single writer structure, voice, and a reason to return.

๐Ÿ’ก

Pro tip: Keep a short list of unanswered questions at the bottom of each entry. Solo RP loses momentum without a partner to surprise you, so plant your own hooks to pick up next session.

The Interrogation Table

39/40

You play one character being questioned, and you generate the interrogator's lines from a prompt list: "Where were you that night?" "Who are you protecting?" "Say that again, slower." Answer each in character, in full, before drawing the next question. The truth your character is hiding should get harder to hold with every answer.

A solo, prompt-based RP that builds a character through pressure. Pulling questions at random forces reactions you wouldn't plan, which is where the character reveals itself.

๐Ÿ’ก

Pro tip: Write the answer before you decide whether it's a lie. Letting your character's first instinct hit the page, then choosing the truth after, produces far more honest solo writing.

One Character, Ten Years

40/40

Pick a character and a list of ten prompts, each a single year of their life: a door they closed, a person they lost, a promise they broke, a version of themselves they outgrew. Write one scene per prompt, in order, letting each choice constrain the next. By year ten, the character has to live with everything the earlier scenes decided.

A solo, prompt-driven RP inspired by journaling games where randomized prompts shape a life. The one-way structure means your character can never retcon a bad decision.

๐Ÿ’ก

Pro tip: Don't read ahead to the next prompt until you've finished the current scene. The constraint is the game, so let each year genuinely surprise the year that follows.

Frequently Asked Questions

Roleplay prompts are scenario setups designed for two or more writers to build a story together, each controlling their own character. Unlike solo writing prompts, a good RP prompt establishes a situation, a dynamic between the characters, and a reason they can't simply walk away from each other, then leaves the outcome open for the writers to discover in the thread.
Good RP ideas give both writers something to do, not just something to imagine. The strongest ones share three traits: a clear dynamic between the characters (rivals, exes, captor and captive), a reason they can't just leave, and an open ending so nobody knows how it resolves. Quick starters like "caught in the same doorway during a storm" are great for testing chemistry with a new partner; deeper setups like a forced treasure-map partnership carry a longer thread. Match the idea's weight to how long you actually want to write together.
Agree on the basics out of character first: setting, tone, posting pace, and any content boundaries. Then one writer posts an opening scene that establishes their character and ends on a hook, an action, a question, or a decision the other character has to react to. Openers that hand off momentum ("she slid the note across the table and waited") get replies; openers that wrap everything up neatly leave your partner nothing to answer. If you're using one of the starters above, paste it, add two or three lines in your character's voice, and stop on the hook.
A good roleplay starter sets the scene in one or two lines and immediately hands your partner a choice. Use the 5Ws loosely, who, what, where, when, and why, without writing a novel; your partner needs room to move, not a finished chapter. The best starters end mid-moment, right before the other character reacts, so the natural next thing to write is their response. Concrete details help: a specific object, a named place, or a line of dialogue left hanging gives your partner something solid to grab.
Match your partner. If they write three paragraphs, a one-line reply feels dismissive and a ten-paragraph reply buries them. The reliable rule is to always give your partner something to respond to: an action, a question, a decision your character makes that demands a reaction. Length matters far less than reactability.
Most threads die from stalled momentum, not lost interest. Keep things moving by introducing small external events when a conversation plateaus, splitting big reveals into stages instead of spending them at once, and talking out of character when you're stuck. A thirty-second OOC chat about where the story could go saves more threads than any plot twist.
A writing prompt only needs to inspire one writer, so it can be a premise, an image, or a single line. A roleplay prompt has to serve at least two writers at once, which means it needs balanced roles: each character should have their own goal, their own information, and their own reason to stay in the scene. The best RP prompts are ones where neither character can resolve the situation alone.

Prompts are the starting line. Tutorials are the finish.

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